
As Percy stared off into space, lilly pulled on his ear again, and this time at the top of her lungs yelled, "AUNT THALIA IS HERE! Perseus Jackson, called 'Percy' or 'Perce' is the protagonist of 'The Perseus Attraction ' and a parodied version of the original character 'Percy Jackson'. org (AFF, the site), its owners, agents, and any other entities related to Adult-FanFiction.

Thor and Loki’s escape from Asgard in a borrowed Dark Elves ship rises to a level Whedon established with The Avengers, and alone justifies the cost of a 3D ticket. Individual sequences deliver commendable comic book thrills. Because Thor takes place in the midst of Marvel’s Phase Two, it’s difficult for the film to ever succeed as a pure standalone story. Taylor’s background as an established television director also benefits the episodic nature of The Dark World and its place in the Marvel tapestry, in general. Order must be restored to the Nine Realms, meaning Hemsworth and his sword-wielding sidekicks can travel on the repaired bifrost bridge to engage in conventionally choreographed battles in mystical lands like Vanaheim or Svartalfheim. The heroic Thor isn’t able to immediately ascend to Asgard’s throne, however. As punishment, the demigod’s surrogate father, Odin (Anthony Hopkins, sleepwalking), banishes Loki to Asgard’s sleek, stark prison for the remainder of his days.

#THOR DEMIGOD TRIAL#
After a brief prologue that establishes Thor’s eventual antagonist, The Dark World begins with Loki (Tom Hiddleston) on trial in Asgard for his malevolent actions in New York City.

Buy your tickets now.īy this point, Marvel assumes you are up to date not only with Thor (Chris Hemsworth) and the denizens of his celestial realms, but with the blockbusters that built up to The Dark World (most notably Joss Whedon’s The Avengers). The result is alternately silly and spectacular, fun yet frivolous – a placeholder in an evolving superhero story that will continue to be told in subsequent Marvel movies. An effects-driven extension of Marvel’s expanding Cinematic Universe, this traditional sequel sidesteps the inherent Shakespearean tragedies that are supposed to sustain the franchise, and instead embraces the relatively weightless comic-book roots of the main character and his universes … for better and for worse. I realized that repeatedly during Alan Taylor’s Thor: The Dark World.
